Goya: The Portraits at the National Gallery is the show of the decade
Francisco Goya was the greatest
Spanish painter of the 18th and early 19th century, a man whose
extraordinary works depicted everything from royalty – he was court
painter – to major historical events, to the artist's personal
nightmares. His technique influenced generations of artists, among
them Manet and Picasso. Next week, the National Gallery unveils the exhibition of the year:
a show devoted to Goya's portraiture, consisting of 70 paintings on
loan from across the world. This is arguably the most exciting
temporary display at the gallery since the one devoted to Goya's
great Spanish predecessor Diego Velázquez in 2006. Here our critic
gives an exclusive preview of the exhibition.
The walls of the National Gallery's S
Francisco de Goya (1746–1828) and the Spanish Enlightenment
Francisco José de Goya y Lucientes (1746–1828) is regarded as
the most important Spanish artist of the late eighteenth and early
nineteenth centuries. Over the course of his long career, Goya moved
from jolly and lighthearted to deeply pessimistic and searching in his
paintings, drawings, etchings, and frescoes. Born in Fuendetodos, he
later moved with his parents to Saragossa and, at age fourteen, began
studying with the painter José Luzán Martínez (1710–1785). In 1746, the
year of Goya's birth, the Spanish crown was under the rule of Ferdinand
VI. Subsequently, the Bourbon king Charles III (r. 1759–88) ruled the
country as an enlightened monarch sympathetic to change, employing
ministers who supported radical economic, industrial, and agricultural
reform. Goya came to artistic maturity during this age of enlightenment.
In Madrid, the painter brothers Francisco (1734–1795) and Ramón Bayeu y
Subías (1746–1793) had set up shop in 1763 and Goya soon joined their
studio, eventually marrying their sister Josefa. He visited Italy in
1770, after two failed attempts in drawing competitions at the Real
Academia des Bellas Artes in San Fernando.
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